Although the “official” physical release is just getting underway, Run the Jewels 3 is the perfect bookend to one of the worst years ever.
All in all, it’s an enlightening read that highlights how freedom in Western countries is often taken for granted.
Vance believes that his success in life shouldn’t be seen as particularly remarkable. Instead, as he puts it, “I’ve achieved something quite ordinary, which doesn’t happen to most kids who grow up like me.”
Here unravels Keys’ personal, truthful side, where she expresses her values of love, family, and her hopes for the world around her.
Despite the disappointing storyline, the staging and performance of the play were excellently done, which is a feat considering even the actors struggled to find meaning in the play. But then again, that might have been the point.
It’s an artist’s job to guide the voice of the people—something Common has always done in his career. With Black America Again, he strikes the right cord at the perfect time, and the result is one of the best albums of the year.
In this cabaret-style production, called Miscast, male performers were called on to belt out their favourite female-centric broadway tunes, while the females sang their favourite male songs.
Presented Oct. 6–8 at the Arts Court Theatre, the festival specializes in theatre art and this month’s shows of choice included Giant Invisible Robot and the one-woman absurdist comedy Joe: The Perfect Man.