PUP, the Glorious Sons and Dawn Tyler Watson were among those that hit the stage Saturday
Ryan Pepper
“This is why I wanted to develop software, to help people achieve something. It sounds cliché, it sounds like the Silicon Valley ‘Make the world a better place,’ but that’s true, that’s exactly what I wanted to do, which is make tools that help people live and work better.”—Jerry Fengwei Zhang, fourth-year software engineering student and Developer 30 Under 30 winner.
“School’s great, but getting involved with the Fulcrum is so much better.” — Katherine DeClerq, Fulcrum alum.
The name of the exhibition, Inter-NoUs, is a bilingual play on words that captures that relationship across different artistic practices and generations.
Balancing graduate school with music isn’t easy, but to Lu it’s essential.
Armed revolution, ground-breaking art, youth culture, a huge push forward in the history of teenage rebellion, and the stodgy British class system might seem unlikely to fit together, but all that and more came out of Britain’s most elite, aristocratic schools.
University of Ottawa alumna Chuqiao Yang won the prestigious bpNichol Chapbook Award for her work Reunions in the Year of the Sheep, which deals with questions of Chinese-Canadian identity.
The collection of essays focuses on children’s literature, a major discipline in literature studies, and the places that authors create for their stories.
“It’s a good opportunity to get your work out there and it’s really hard, especially when you’re an undergrad, people don’t know how to get themselves published—we actually have a place at the university that offers people that and nobody knows about it.”—Hayley Munro, OAR editorial assistant.
“Come and see me, let’s talk about writing,” is how Birdsell summarizes her job as writer-in-residence.
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