If Bon Iver’s last album was leaving the cabin, this project is the maturation and growing process. No longer trapped in the woods, Vernon’s forgotten Emma and is finally working on himself—and as fans, we’re reaping the rewards.
album review
Weezer (2016), or The White Album, picks up where Everything Will Be Alright in the End left off, and continues to build upon the progress by delivering one of the most consistently strong records in the band’s massive discography. Opening with a trio of instantly classic, alt-rock anthems, the LP immediately exemplifies all of Weezer’s strengths, both reassuring long-time fans and creating new ones.
Mind of Mine is far from the toe-tapping, innocent, and catchy music One Direction has been producing since Malik left. The 18-track album, which came out March 25, is a very different sound from the almost-bubblegum pop music that made Malik famous and instead falls into the R&B genre, taking his talents in a new direction.
The compilation album’s eight tracks are equally as jazz- and funk-laden as his previous project. From a subject matter standpoint, the Compton native takes a chance to comment on the Black experience in America, the evils surrounding his hometown, and grappling with rising success.
The Vancouver natives released this 10-track album riddled with infectious beats, reverberating guitar, and dark lyrical undertones. The album tells the story of a band’s slowly growing recognition, and the intoxicating pleasures and troubles that come with it.
In reality, it’s equal parts of each as he crafts his manifesto of his relation to the three Pablos. The brash power of Escobar along with his view of himself as a sullen and misunderstood artist much like Picasso. Finally, he relates to Paul the Apostle being a man amidst constant controversy but whose contributions have been so valuable to the music industry.
In many ways, the album is a genuine smile and a rolling tear. Malibu sounds so comfortable and familiar, but also strikingly fresh and new.
He has always been more than just the leader of the pack, and, forty-seven years after Major Tom first went up into space, David Bowie is still lightyears ahead of his contemporaries.
Although they’ve become known as one of the biggest rock bands of the decade, their new album gives the impression that they’re ready to give up that title—A Head Full of Dreams is their most upbeat and radio-friendly record yet.
Each song on the album has it’s own distinct sound, which showcases Ty Dolla $ign’s range and creativity as an artist. Whether the music is acoustic or produced by DJ Mustard, Ty Dolla $ign delivers on every song.
The album is a joy to listen to, as the production varies in style but also remains true to the core theme of the album. The content of the record is where it’s worth truly lies. It’s comparable to a reformation of the J.D. Salinger novel The Catcher in the Rye, focusing on the alienation and the painful phoniness of the adult world. It is an exploration of those raised in the Ronald Reagan Era, tackling their skewed identity and fragmented moral compass.
Although Green is best recognized for progressions in acoustic power chords, especially on his 2008 album Bring Me Your Love. However his newest work shows a distinct change of pace in sound. Where there was once a soft linear flow of songs, there is now a forte that speaks to the audience in a transformed, sharp, bluesy thundering of songs, but is still directed by lofty introspection from beginning to end.
Time freezes in the music world whenever there is a clash of titans. In the hierarchy of today’s biggest hip-hop superstars, Drake and Future are monoliths. Two of a genre’s biggest artists coming together to release a collaborative project is not something you see every day. What a Time to Be Alive is a mixtape …
Yours, Dreamily, streams a distorted flow of sound that can feel melancholy and fleeting at times, but captures moments of revelation. With an assortment of sounds throughout the album, grimy guitar solos and the familiar harsh tones of the Black Keys can be heard, especially in “The Arc”.
Seeds is the fifth full-length release from Brooklyn indie-rock outfit TV on the Radio, and the first since the passing of former bassist Gerard Smith.
Spencer Murdock reviews one of the most talked about rap albums dropping this year.
King Tuff’s latest album Black Moon Spell hits it’s sophomore slump.
The new effort from Mike Hadreas, a.k.a. Perfume Genius, provides more of the emotionally charged singles he has produced in the past, but this time with a good deal of new sounds added to his usual sultry piano playing.
One of the hottest indie band’s singer releases her new album and it does not disappoint.
The much anticipated album from Caribou leaves listeners pleased with it’s unique sounding jams.
You may have not heard of him, but Mick Jenkins will be flooding the charts with his latest The Water[s] album.
It’s a “Problem” we think you haven’t heard Ariana Grande’s latest album, My Everything.
The wait is over! We have a review for the much anticipated Death from Above 1979 album, The Physical World.
