It was praised for its organic portrayal of the grim circumstances in Rio de Janeiro, yet also depicting the subtle beauty of the slum. The movie takes you on a high speed rollercoaster of gangs, violence, drugs, money, hope, death and the struggle with identity in the beaten down slums of Rio de Janeiro.
The 142-minute runtime may also seem daunting, especially with the lack of action and with the focus primarily on human relationships and character development. But if you can get past the lack of car chases and explosions, it’s entirely worth it.
Swingers stands out amongst comedies as being unique and innovative in its subject matter and setting. It led the way for other comedies, like Seinfeld, being one of the first to be essentially about nothing in particular, but still being able to draw in audiences.
Produced by George Lucas, directed by The Muppets’ creator Jim Henson, and starring the legendary David Bowie, Labyrinth is a beloved cult classic about a teenage girl on a quest to rescue her kidnapped brother from the Goblin King.
A pioneer of the black comedy film, Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb is a brilliant satire of international relations and ideological paranoia. This movie explores the hypothetical scenario of a deranged American general ordering all bomber planes under his command to execute a nuclear strike on the USSR, and the group of politicians who try to stop him.
Perhaps one of the most popular musical fantasy features and most-loved American films of all time, The Wizard of Oz is known for its innovative use of bright Technicolor. It remains a delightful and touching piece of American cinema, still adored to this day.
Fulcrum contributor Jasmine van Schouwen tells you why you should have seen Fargo.
Born to be wild, on motorcycles. Our pick this week features the subculture of riding the free world.
If A Clockwork Orange scared you, we suggest you try it again.
You Can’t Handle the Truth! The Fulcrum breaks down why you need to see this old-school film.
