music

Irving and his bandmates have gained a lot of experience touring since their 2012 performance at Bluesfest, and as much as he says they love the intimate shows that they have been performing at, Irving says that “nothing can match hordes of screaming fans.”

Weezer (2016), or The White Album, picks up where Everything Will Be Alright in the End left off, and continues to build upon the progress by delivering one of the most consistently strong records in the band’s massive discography. Opening with a trio of instantly classic, alt-rock anthems, the LP immediately exemplifies all of Weezer’s strengths, both reassuring long-time fans and creating new ones.

Mind of Mine is far from the toe-tapping, innocent, and catchy music One Direction has been producing since Malik left. The 18-track album, which came out March 25, is a very different sound from the almost-bubblegum pop music that made Malik famous and instead falls into the R&B genre, taking his talents in a new direction.

Although the self-described “ska-rockers” have relocated to Toronto, three of the members are originally from Aylmer, Que. and consider Ottawa their hometown. The band has toured across Canada, but play primarily in eastern Ontario, and are thrilled to be returning to one of Ottawa’s most popular live music venues, as they have played the Ottawa scene extensively.

The Vancouver natives released this 10-track album riddled with infectious beats, reverberating guitar, and dark lyrical undertones. The album tells the story of a band’s slowly growing recognition, and the intoxicating pleasures and troubles that come with it.

Indie singer-songwriter Béatrice Martin, more commonly known by her stage name Coeur de pirate, is a celebrated Montreal-based artist with an impressive way of connecting to her fans through movement and melodic music. As a recognized Francophone musician, she effortlessly expresses herself through both national languages of Canada, drawing in Anglophone listeners to experience French music in ways they never have before.

Musicians have to balance their sound, industry heads and customers Musical artist Kid Cudi took to Twitter in early October to dissuade some of his fans from purchasing his upcoming release, Speeding Bullet to Heaven. “(I)f you dont like what Im doin now, please abort the train. Do not buy my music from here on …

Hip-hop jazz trio to perform concert for Ottawa drop-in centre There are many ways that musicians get involved with charity work. Few of these artists, however, tend to get involved with charity through their mothers. Chester Hansen, the bassist of Toronto-based hip-hop jazz trio BADBADNOTGOOD (BBNG), and his group will be performing a benefit concert …

The Zolas are touring in the wake of the release of their latest EP, Wino Oracle, which came out Oct. 2. The four songs on the EP are a bit of a departure from the rhythmic experimental rock style of their first two studio albums. With its fast tempos and dance-friendly beats, Wino Oracle is much more lively and upbeat than their older music.

The album never slows down from start to finish, and it’s perfect to dance along to or pick you up if you’re feeling down. Every song can make you laugh. It does everything a peppy pop song should do, just presented in a radically different way, and across an entire album instead of one four-minute track.

The album is a joy to listen to, as the production varies in style but also remains true to the core theme of the album. The content of the record is where it’s worth truly lies. It’s comparable to a reformation of the J.D. Salinger novel The Catcher in the Rye, focusing on the alienation and the painful phoniness of the adult world. It is an exploration of those raised in the Ronald Reagan Era, tackling their skewed identity and fragmented moral compass.

Although Green is best recognized for progressions in acoustic power chords, especially on his 2008 album Bring Me Your Love. However his newest work shows a distinct change of pace in sound. Where there was once a soft linear flow of songs, there is now a forte that speaks to the audience in a transformed, sharp, bluesy thundering of songs, but is still directed by lofty introspection from beginning to end.

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