Visual artist Shawn Philip Hunsdale toughed through an interview with the Fulcrum on March 31 to promote his latest work titled “Identification, please.”
u of o alumni
Ottawa is chock full of artists waiting for their time to shine, and PACE magazine is happy to be their outlet.
“We got this nomination because of the highly collaborative effort we all put into this production. We worked hard, but always with a tremendous amount of pleasure.”—André Perrier, director of Les Reines.
Directed by Eleanor Crowder under Bear and Company Theatre group, the classic play was given a unique twist though its use of fire dancing, stunning sword fights, and original music.
Shannon Fournier, the organizer of Rise Up and a former criminology student at the U of O, explained that through her own experiences, and during her time at the university, she learned about the holes that exist in the criminal justice system for victims of sexual assault when reporting crimes.
As the story takes audiences back into the past, we meet Jem, played by U of O alumna Carol Sinclair, and her father John, a fame-obsessed drunkard. Throughout the play, audiences watch as each character’s past unfolds, and how they struggle to find true meaning and faith in life.
The video sparked the idea in Kirton, co-founder of The Balance Project, to create her own clothing line that would be socially responsible and environmentally friendly, while also informing people about ethical problems in the current fashion world. Kirton approached and worked with a group of friends to come up with a plan, and their first line was launched only a few months later.
The festival will take place at Club SAW and the Arts Court Theatre, with an event schedule that includes exclusive screenings, an award ceremony, panel discussions with local artists, and both opening and closing night celebrations.
The exhibit spans two rooms. In the first is an array of multimedia pieces—photographs, videos, sculptures, and acquired objects. One installment, entitled Reliquarium, is a collection of ninety objects spanning from pressed flowers, to written excerpts, to blood samples.
Claude’s blog will culminate photos with short reflective stories as told by citizens of Ottawa to introduce the lives and journeys of individuals within the community. “Even the most benign realities can be fascinating, and I would like to create my own twist to them,” said Claude.
All four artists featured in the exhibit are showing paintings inspired by elements of varying disciplines, including biology, the human body, psychology, and landscape.
What happens when a politician orders a murder to slip by in a vote? Comedy! And if Healey was aiming for a comedy he certainly succeeded, with a cast of hilarious characters, rants against Canadian Tire, a quest to find Triscuits, a splendidly performed awkward post-sex scene, rants against twenty-somethings and excellent use of the word “fuckwit.”
Ranging in tone from straight horror to the intentionally campy, the movies didn’t shy away from cringe-inducing violence, graphic nudity, experimental plots, and outright bizarre content.
Cooking demonstrations were hosted by top Canadian chefs, including Lynn Crawford and Michael Blackie. Renowned food vendors such as Meatings BBQ Catering, OCCO Kitchen and The Works served up bacon-centric treats from special menus made just for the festival. Meatings bacon-filled menu featured a bacon donut with whiskey maple syrup, and a grilled peanut butter and jam sandwich stuffed with maple bacon.
The evening of Sept. 27 marks the eighth annual Prix Rideau Awards (PRA). Founded in 2006, its aim is to bring together local actors, directors, producers, and playwrights to celebrate the National Capital Region’s vibrant theatre community.
Beginning in 1976, the OIAF is North America’s largest animation festival and one of the oldest in the world. The festival features everything from film screenings to workshops and masterclasses with world-renowned animators.
