No, it shouldn’t go to some poor indie band every year TORONTO (CUP)—THERE WAS NO feeling of surprise and no feeling of upset on Sept. 19 when Arcade Fire’s The Suburbs won the 2011 Polaris Music Prize. No, there was a feeling of complacency—even though there were other albums that deserved it just as much, almost everyone who cared was gunning for this album, even …