An award show’s principal purpose should be to honour artistic achievement that pushes boundaries, shows us something new, or changes the way we view the world, and often times that doesn’t translate into commercial popularity.
Rolling Stone
Weezer (2016), or The White Album, picks up where Everything Will Be Alright in the End left off, and continues to build upon the progress by delivering one of the most consistently strong records in the band’s massive discography. Opening with a trio of instantly classic, alt-rock anthems, the LP immediately exemplifies all of Weezer’s strengths, both reassuring long-time fans and creating new ones.
The August cover of Rolling Stone may be the most talked about in the magazine’s recent history, but will the story that accompanies it be one of the least read?
