It’s a sound that most North American ears weren’t, and likely still aren’t, familiar with, and may find too British. For that reason, most of the albums’ hits and singles don’t play on rock—or even alternative—radio stations here in Canada.
music review
Overall, the 2017 Junos mixed spectacle with reflection, and struck a perfect balance between honouring Canadian legends while showcasing the potential of younger artists.
At the end of the day, for someone who defined so much of what it means to be a pop/hip-hop superstar, I think it’s fair to expect more.
Keys collectively combines her classical piano style with soul, R&B, and hip-hop rhythms to create a masterpiece of eclectic and diverse tracks.
Ultimately, Drogas Light is a mixed bag with more highlights than failures, remaining a worthwhile standalone listen for Fiasco’s veteran fans and newcomers alike.
Although the “official” physical release is just getting underway, Run the Jewels 3 is the perfect bookend to one of the worst years ever.
It’s an artist’s job to guide the voice of the people—something Common has always done in his career. With Black America Again, he strikes the right cord at the perfect time, and the result is one of the best albums of the year.
If Bon Iver’s last album was leaving the cabin, this project is the maturation and growing process. No longer trapped in the woods, Vernon’s forgotten Emma and is finally working on himself—and as fans, we’re reaping the rewards.
Looking for some new music to keep you inspired this fall? Look no further than The Fulcrum’s top picks for the best indie albums of 2016.
The attention to detail and the variety in instrumentation that Ocean curates on the album is unparalleled, and his maturity shines bright in his songwriting, experimentation, vocal performance, and overall artistry.
Forget about watching saccharine holiday fluff like “Miracle on 34th Street” this holiday season. The Fulcrum recommends some worthwhile yuletide entertainment that have a bit more of an edge.
Although Green is best recognized for progressions in acoustic power chords, especially on his 2008 album Bring Me Your Love. However his newest work shows a distinct change of pace in sound. Where there was once a soft linear flow of songs, there is now a forte that speaks to the audience in a transformed, sharp, bluesy thundering of songs, but is still directed by lofty introspection from beginning to end.
Time freezes in the music world whenever there is a clash of titans. In the hierarchy of today’s biggest hip-hop superstars, Drake and Future are monoliths. Two of a genre’s biggest artists coming together to release a collaborative project is not something you see every day. What a Time to Be Alive is a mixtape …
“School Spirit”, Kanye West
When you inevitably go through your “university is for suckers” phase.
It’s a “Problem” we think you haven’t heard Ariana Grande’s latest album, My Everything.
The Fulcrum reviews the latest Arkells’ album High Noon.
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Now Tweeting
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For the @GeeGeesMHKY team, the 2019-20 season was about finishing what they started. The Gees travelled to Halifax… https://t.co/nOoyhVZGc5
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#COVID19 Update: Around 65 people will move into the building on King Edward Avenue on Monday after a request was m… https://t.co/ZPVxxakwOb
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RT @Sue_Hylland: Thanks to @The_Fulcrum for this recognition of our @uOttawaGeeGees ! Good one! @GeeGeesWHOC @GeeGeesMHKY… https://t.co/apqCHDA8EN