…at every size the audience was filled with music lovers excited to see bands they follow or discover new artists.
…at every size the audience was filled with music lovers excited to see bands they follow or discover new artists.
If you’re a U of O student with plans of being in Ottawa this summer, read on.
If you’re playing “Blurred Lines” by Robin Thicke on the first date, there simply will not be a second.
Three moody, intense releases that defined my week.
Weezer released new music — naturally, it’s our job to review it
The person I am currently hooking up with has a very bad sex playlist. I am scared to tell them because they are emotionally fragile and seem to be really connected to their music. But nothing turns me off more than hearing Weezer’s “Undone – The Sweater Song” or Radiohead’s “My Iron Lung” while having sex. What should I tell them?
Over the last thirty years, the Fulcrum has reviewed a number of albums that eventually became career-defining and altering records for artists. This feature is the first part of a series that will look back on Fulcrum reviews of albums that changed the music industry and helped define an entire era
Pacific Daydream noticeably leans towards a pop-friendly audience. Cuomo and bandmates eschewed power chords in favour of slick production, softer acoustic instrumentation, and electronic samples and effects.
Weezer (2016), or The White Album, picks up where Everything Will Be Alright in the End left off, and continues to build upon the progress by delivering one of the most consistently strong records in the band’s massive discography. Opening with a trio of instantly classic, alt-rock anthems, the LP immediately exemplifies all of Weezer’s strengths, both reassuring long-time fans and creating new ones.