review

My Year of Rest and Relaxation book cover

Ottessa Moshfegh’s works usually expose and gently pull apart the same themes: feelings of deep, seemingly incurable loneliness, usually from a female perspective. Her works feature women in incredibly unique situations but somehow manage to make them accessible and universally applicable.

Originally created by Jordan Tannahill, Erin Brubacher, and Cara Spooner, and written for a Toronto setting, the play was adapted for Ottawa with a new local cast featuring two University of Ottawa students, and opened at the National Arts Centre (NAC) on March 31 to a full house.

One of the best things about this adaptation of the play, and of Shakespeare’s writing in general, is that despite its antiquity it remains fresh in the eye of the beholder. Shakespeare’s writing still seems as relevant today as it was in the 1600s because of Shakespeare’s ability to understand the core of people’s nature and depict it in his complex characterizations, said Gough.

Although Green is best recognized for progressions in acoustic power chords, especially on his 2008 album Bring Me Your Love. However his newest work shows a distinct change of pace in sound. Where there was once a soft linear flow of songs, there is now a forte that speaks to the audience in a transformed, sharp, bluesy thundering of songs, but is still directed by lofty introspection from beginning to end.

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